
6:35 - Battle of the Jamz
7pm - High School Check in
8pm - Top 8 @ 8 Countdown
At 14, most boys have their heads in the clouds and eyes on the girls. But it was at 14 years of age that Hot Sauce realized the early bird gets the worm, and the early hustler gets the dollar.
His career began in 1994 at the now defunct KLPL in Lake Providence, LA. While anyone would be impressed with an adolescent night jock, Hot Sauce wanted more. By 17, he was mastering the turntables, and was involved in everything around the radio station, from programming to production.
In 1997, Hot Sauce moved to New Orleans, where he was heavily influenced by jazz and blues. He continued to perfect his craft for two long years, then got a call to take over the airwaves in Monroe, LA. KRVV was the place where things really started to open up for Hot Sauce, and in no time, he was not only releasing regional mix tapes, but was the go-to DJ for just about every club and concert venue in the area.
Working his way across the country, Hot Sauce was transferred to Meridian, MS (WJXM) in 2002, then Dothan, AL in 2003 to do nights at WDBT, which has since changed formats. In Alabama, he earned the title “King of Nights,” and is most known for throwing his birthday party at an unknown club and letting everyone drink free. Wonder why the party was a success…
In September 2004, after receiving a call from Clear Channel, Hot Sauce “caught a midnight train” to Columbus, GA and began on-air duties for start-up station WBFA 101.3 The Beat. There he was the midday jock, Music Director, and had an award-winning mix show. It was also in Columbus that he was introduced to the Legion of Doom Record Breakers and the Core DJ’s.
Always looking for a bigger audience, Hot Sauce moved further east to North Carolina to do nights at WIKS 101.1. In the short time he was there, he made a huge impact; his show was Arbitron rated #1 in all demos, and no one will forget the love he showed to local and regional artists.
From there Hot Sauce brought his southern flavor back to Louisiana in 2007, to do nights in Shreveport for KMJJ. His “Local Artist Spotlight” guaranteed his place in Shreveport’s radio history; whether it was spinning it in his mix show or putting it on the countdown, if a local artist had a hot song, you heard it from Hot Sauce first. And his #1 ratings, numbers which tripled the competition’s, cannot be contested.
North Carolina missed Hot Sauce, and apparently the feeling was mutual. He was back doing nights at WIKS like he never left. Then he left, knowing he would never be replaced…
You can currently hear Hot Sauce “Spicin’ up your nights” in Milwaukee from 6-10pm on 100.7 WKKV. With his proven track record, all you need to do is sit back and listen…

The Pittsburgh rapper explains the meaning behind his upcoming sophomore LP.
When Wiz Khalifa announced that he was working on a new project last year titled O.N.I.F.C., he left fans little puzzled as to the meaning of the acronym. Now, the Taylor Gang head honcho has revealed the full un-edited title of his sophomore commercial release: Only Nigga In First Class.
In a recent interview with MTV's Sway, Wiz explained that O.N.I.F.C. actually stands for Only Nigga In First Class, although the edited version will be One Night In First Class. Inspired by Mobb Deep emcee Prodigy's 2001 solo debut Head N***a In Charge (H.N.I.C.), Wiz that the title stems from a few instances while flying first class when he was slighted by the crew for being a young black man with priority seating.
"I'm just going to tell you what [O.N.I.F.C.] - it's the Only N***a In First Class," he explained. "It's inspired by Prodigy's H.N.I.C. When he dropped that, I felt like that sounded so strong and it really meant something and it had the n-word in it. I wanted to figure out something [along those lines] that was me, too…I said it on one of my songs, like, 'Ain't it funny when time pass?/Only n***a in first class,' and I was just talking about me being a young, rich dude and being black."
He added, "It looks crazy to [the workers on an airplane] when I walk up to them and I show them a [first class] ticket, or I'm going to priority seating and they're like, 'You sure?' It's kind of like that feeling - it's a good feeling, but it's like it's a bad feeling, like 'Damn, why y'all even feel like that about me?' When I look around and I see people in first class and they're getting they're dinners a little quicker than mine or they're looking at me or I don't get the pillow or extra [treatment] - or I get more because they know that I'm supposed to be there, so it's like the positives and the negatives."

Art imitates life, as a woman claiming to be Drizzy's ex-girlfriend files suit in a California court claiming she wasn't properly compensated for "Marvin's Room."
According to an exclusive story by The Hollywood Reporter, a woman claiming to be Drake’s ex-girlfriend and the inspiration for “Marvin’s Room” is suing the YMCMB rapper for co-writing royalties on the song.
Ericka Lee, who is credited in the liner notes of “Marvin’s Room” as a vocalist under the name “Syren Lyric Muse,” believes she is entitled to a larger share of the song’s royalties. Lee filed her initial claim in July of 2011, and was met by a counterclaim from Cash Money/Universal Records roughly six weeks later. According to Lee’s suit, she believes her “contribution is highly significant to the overall work.”
“Drake allegedly agreed to work with Lee on ‘Marvin’s Room’ and split the proceeds,” writes Eriq Gardner of The Hollywood Reporter. “Lee says she was asked to record the song’s ‘hook’ as well as the opening monologue that would serve as the thematic framework for a song about Drake’s yearning for an ex-girlfriend and how his fame interfered with his love life.”
Lee also claims she was offered a $50,000 payment along with 4-5% of the song’s royalties after threatening Drake with legal action prior to filing her lawsuit. “Marvin’s Room” peaked at the number 21 spot on Billboard magazine’s Hot 100 singles chart.

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The Snowman earns gold certification for his fourth studio album.
A little over a month after releasing his fourth album Thug Motivation 103: Hustlerz Ambition, Young Jeezy has earned gold certification for the project.
Breaking the news on Twitter, the Snowman wrote, "Half a MILLI #TM103 Certified GOLD thanks to yall. Half way there! Men and Women lie #'s don't. #ITSTHATWORLD Coming Soon. Stay Tuned!"
The LP, released on December 20th, debuted at No. 3 on the Billboard 200, moving 233,000 copies in its first week.

The Harajuku Barbie says she doesn't expect to win, but that she's just happy to be acknowledged.
Nicki Minaj scored three nominations for this year's Grammy Awards, including Best New Artist, Best Rap Performance ("Moment 4 Life" featuring Drake) and Best Rap Album (Pink Friday). In a recent interview with Pandora, the Harajuku Barbie said that she doesn't necessarily think she's going to win, but that she's just going to celebrate the moment.
"When I was at the Grammys last year, it was like I didn’t even exist. And then to now be performing and nominated, it’s a big deal. I’m not going to be nervous about winning because I really don’t think I’m going to win anything," she said. "The way I look at it is, I know eventually, in my career, I’m going to have Grammys. This year is just about being nominated and feeling grateful, feeling like my fans and I have come a very long way and we’re just going to celebrate this moment. Nothing else matters - winning, not winning, it doesn’t matter. It just matters that they get to see a girl from the hood take these steps and continue to take these steps, just with hard work."
The Young Money rapstress, who is also performing at this year's ceremony, acknowledged that up-and-coming artists don't tend to realize how much hard work goes into becoming a star and getting Grammy nods, but that she's earned what she's gotten.
"At the end of the day, everyone wants to be recognized and everyone wants to at least feel like you recognize that this is hard work. People think that they can become an artist overnight. People think that a cute face or a nice car makes them a rapper. But a musician is so much more than that. But in terms of me and my career, the Grammys is everything. It’s the only thing to a music artist. It’s what you live for. This is what you work for."